The harmattan tree
School assignment: draw a tree in harmattan season. I was the only one who drew it bare — no leaves, one dead leaf falling. 9.5/10 and the teacher’s congratulations. The first time I understood I notice what others don’t.
Ten years designing identities, editorial systems, and digital products for pan-African institutions, NGOs, startups, and independent clients. I care about the work landing — not just looking right.

I'm Elom Kaizer — senior designer, builder, and shipper working between Lomé and the rest of the world. Ten years in, I still care about the same thing: making complicated ideas land on the page, on the screen, and in the room.
My practice sits at the intersection of editorial craft, brand systems, and production code. I design institutional reports, pan-African forum identities, digital products, and the templates that keep non-design teams consistent long after a project ships.
I think in systems. I ship what I design. I like constraints — budgets, deadlines, multilingual audiences, non-technical stakeholders — because they force real decisions. What I don't like is work that looks expensive and solves nothing.
School assignment: draw a tree in harmattan season. I was the only one who drew it bare — no leaves, one dead leaf falling. 9.5/10 and the teacher’s congratulations. The first time I understood I notice what others don’t.
Cartoons and comics were my escape, and our means were modest — so I built antennas to catch the channels. The maker started there: if it doesn’t exist, build it.
First time seeing a computer, through a cyber café window. My friends and I pooled our pocket money every month to rent one by the hour. No money for computer school — the café was the school.
After my baccalauréat, my father gave me an aging IBM PC running Windows XP. It broke constantly; repairs cost 5,000 FCFA and lasted two days. After the third shop visit I asked my uncle for his Windows CD and his course notes — he’d done the maintenance training, never practiced it. I diagnosed the machine myself: the hard drive was too old to hold an OS. My IT career started by fixing what kept failing.
Working as a relationship marketer, I watched our IT & graphics lead give a stunning presentation. He showed me Inkscape and said the course was inside the software. I installed it that night, finished the course, and shipped my first designs before sunrise — on a hand-me-down Compaq that would carry my first four years of practice.
Our head of training asked me to teach him Photoshop. I had never used Photoshop. I downloaded it and a course that evening, and taught the class the next morning. Fast learning has been my unfair advantage ever since.
Back then, people laughed — above all my father, who still isn’t quite sure what I do for a living; for him the real studies were economics. I never doubted. There are hard seasons — brutal clients, empty months — and I have never once wanted to do anything else.
My CEO asked for what I thought was a small training deck. It turned out to be the funding pitch for the Bill & Melinda Gates Foundation. She called me afterwards: the grant was approved — and, she said, partly because of me. I stopped calling this decoration the same day.
Went independent with zero clients. Ten years later, 200+ brand identities have shipped under this name — for NGOs, startups and institutions across West Africa.
Full visual production for international NGOs — web, events, print — and 50+ young professionals trained in graphic design along the way. Teaching taught me more than producing.
From vendor to leadership: identity, digital infrastructure and full production of hybrid pan-African forums across 20+ countries. At this level, design gets judged by delegations, not by PDFs.
I stay in Lomé on purpose: to prove this level of work can be built here, and to change mentalities along the way. Wallets, lamps, NFC business cards, engraved wood, mugs — if it doesn’t exist, I build it.
Head of IT Division · Former Head of Communication & IT — Lomé, Togo
Leading visual identity, digital infrastructure and full production of hybrid pan-African forums across 20+ countries.
Founder & Lead Designer — Togo · Remote
200+ brand identities shipped. Average +60% social visibility reported post-rebrand.
Lead UX/UI Designer & Art Director — Remote
Visual system and digital direction across multiple international platforms.
Graphic & Web Designer, Trainer — Lomé, Togo
Communication strategy and visual production for an international NGO. Trained 50+ young professionals in graphic design.
IT Lead & Graphic / Web Designer — Togo
Full visual support, web development, IT infrastructure, and multimedia coverage of hybrid and on-site events.
« You weave worlds that don’t usually meet. »
I took it as the most beautiful compliment. In Éwé country, kente is built thread by thread — so is every identity I build: strategy, form, code, one thread over the other until it holds.
UNHCR · ECREEE · Fonds Vert · APC Programme · SSA · Hälsa International · Awakening Togo · CONGAT / PADIE